Course: Tone & Colour
Mastering colour in the context of tone

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Courses '08

Tutor:
  Hugo Grenville
Assistant Tutor:
  Lisa Freeman
Dates:
  14th - 18th April 2008  (5 days)
Start Mon 9.45am finish Fri 3.30pm
Price:
  £520
Medium:
  Oil or gouache
Suitable for:
 

Those who have some experience of drawing and painting

The Course:
  This course is designed to teach students how to see and paint colour in the context of tone. We will be considering the manner in which exposure to light affects the surface of objects, how it reveals the many gradations of comparative lightness and darkness (tone) and how awareness of this is used by painters to create the illusion of a third dimension. We will encourage students to bring colour into the shadows, to consider the fullest potential for colour whilst remaining faithful to the concept of tonal painting. With reference to the work of the Masters, we will examine how aerial perspective was first understood and then exploited by painters from Claude Lorraine through Corot to the Impressionists.

Whilst the emphasis remains firmly on understanding tonal painting, students will be encouraged to explore different responses to the motif, both out of doors in the urban landscape and in the studio. Learning to recognise and to deal with areas of potential conflict, the course offers students considerable scope to broaden their interpretation of the subject and to begin to develop their individuality.

   


Please see details of Hugo's other courses:

 

 

 

 

A few of the comments people have made on their feedback forms...

"What I personally took out of the course was the knowledge that I was not alone in my artistic hopes and ideals. I have studied at some very well respected art colleges, one of which has an international reputation, so I do have something to compare against, and on that basis I am of the opinion that Hugo as a tutor is utterly inspirational, a very considered motivator and critic, just great."

"I loved the overall atmosphere of being in an environment where an artist actually works, being immersed, the beautiful surroundings, being taught by someone who you can admire for his work, who enables you to come away, without perfect paintings, but with a new starting point and way of looking at the whole structure of painting"

"Your courses have helped me as a painter in so many ways: in developing skills- I have never heard of sight size drawing or used oils, but especially in boosting my confidence in existing abilities and personal vision."

“This is obviously not a “painting holiday” type of course of which there are now so many being aimed at aspiring painters. This is something beyond that, striving to set the mind on the more fundamental and creative ways of personal expression. Every aspect of the four days was delightful”

"I said at the beginning of the week I seem to have hit a brick wall which I couldn’t get beyond. I’ve knocked it down”

"I found it all most stimulating and as a painter who has struggled to get away from a precise engineering and design discipline I found the short pose, left hand drawing and large brush painting approach exciting and freeing. The teaching was excellent and imparted with the right balance of stick and carrot."

“I sang most of the way home and when not singing had a huge beam of a smile”

"The teaching and advice is drawn from a body of Art History and then is related to what one was actually struggling with on the easel. I think Hugo’s teaching covers a gap that is missing in arts schools today."